Archive for September, 2008

Looking to sell your work wholesale?

Posted in Updates with tags , , , , , on September 18, 2008 by coleenmcintyre

Over the years I’ve been asked by my fellow artists for advice on selling their work wholesale. I’ve finally typed most of the info I know up, and hope it may now answer some of your questions about getting into the wholesale market. I personally don’t sell much wholesale anymore, except for a few accounts. I began to get burnt out on being my own salesperson AND manufacturer of cards. I’m back to actually painting again! 

Who do I sell my work to, & how do I find them?

It’s important to research the type of stores that will sell your work. Take some time to begin with driving around locally and grab business cards for stores that sell items similar to what you’re selling. It is very important to find out who the BUYER for the store is. Many larger stores like Powell’s or Made in Oregon have buyers for specific kinds of products; (i.e. card or paper buyer, soap and lotion buyer, glass buyer, etc.). Try to schedule a short appointment to meet with the buyer, as they are often very busy. If you can’t get an appointment, at least send any materials or direct any phone calls to the correct buyer’s attention. Look in the phone book and online under what kind of stores you’re targeting; Gift Shops, Card Shops, Book Stores, New Age Shops, etc.


Let them find YOU.

A GREAT way to really find out about what goes on in the wholesale world is to do a wholesale trade show. This is a show that only licensed buyers from stores can attend. The idea is that they come to place orders, not simply buy a few things like a retail show. Some of these shows however, do offer “cash & carry” which means you are allowed to sell product there, in addition to taking wholesale orders.  All you need to bring to your booth is a nice, clear display of  “samples” of what you’re selling. They  place orders for their store to be shipped or delivered. Western Exhibitors puts on their big shows in Portland (PGS), Seattle (SGS), San Francisco (International Gift Fair and Cash & Carry), and the International New Age Trade Show (INATS) in Denver. The Portland Gift Show is held every January and Every June, and is a great way to start – because it is the smallest, cheapest,  and least overwhelming of all the shows. They offer discounted booth spaces for new artisan vendors that for a fraction of the regular cost. They even have a special area for these vendors called “Artisan’s Avenue”.  For more information go to their website at: or call: 415.447.3223.



What do I need?

*In order to start your business, If you haven’t already, you have to register as a business with the state, and open a BUSINESS checking account. You can’t really hide from Big Brother anymore when selling goods to other businesses. All the information you need for that can be found at: A& E (Arts & Entertainment) Tax services are a  GREAT place to bring your taxes to, and they understand the often unorganized minds of artists., or call : (503) 228-0962 or 1-800-808-3204.


*You’ll need some sort of catalog (not portfolio) showing your work, possibly brochures, business cards, and a price list. Printing costs can get expensive, so I’m usually really greedy with my nice catalogs, and even charge $5.00 for them online. I then take the $5.00 off their first order. Make sure you list TERMS on your invoices and order forms. I came up with my terms by grabbing brochures from other small businesses at wholesale shows. Some inexpensive printers for promotional things: or I’m looking to bring my business to someone local, so please let me know about anyone here in town that you recommend.


*If you decide to start off with a wholesale trade show you will need a booth set-up and a BIG sign with your business name. Your booth is important because you will most likely only have a display space of about 4 by 8 feet. A buyer will walk past you in three steps and miss you if your display does not stand out to them. It is important to display your products professionally, and in an organized fashion. Label and price everything clearly, and avoid hand-written signs (unless you’re really good at making beautiful hand painted signs). The show staff will provide you with many display items for a rental fee, but usually you can purchase and own these items (like tables, shelving, racks etc.) for the same cost somewhere else beforehand. Buyers really like you to talk to them and explain your product. They actually expect you to engage them in talking about your product. A large sign that clearly tells the buyer exactly WHO you are and what you’re selling is important. Try to pick a logo, and overall look for your business and stick with it. Recognition is very important.


Do I need a Rep?

Nope. But you may want to consider one if you’re not good at talking to people, or if you are a very busy person. You will do much better if you are confident and professional about discussing what you’re selling. They say that you’re your own best marketing device because you know your product/artwork inside out, but I’ve seen many anti-social artists undersell themselves because they despise the sales end of what they’re doing. Believe it or not, there’s a ton of people out there who actually enjoy sales and will gladly do it for you (for a cut)!  So where do you find a rep? Well more often than not, the reps will seek you because they believe what you’re doing can make them a good deal of money, and they’ve already seen your product in stores or at a trade show. The only way that I know of how to go about soliciting a rep for yourself is on the bulletins at wholesale shows, and on Networking at these trade shows, of course, is very important if you are seeking a rep. Most reps will get around 15-20 percent of the sales they bring in for you. The only time you would pay them on an hourly basis like an employee is to do a wholesale show.  Otherwise they work on commission and only make money when you do. Many reps sell many different product lines that are similar. The nice thing about working with a rep that has experience is that they have a great working relationship with a large variety of stores and their buyers. They already have a foot in the door for you, through the other lines they carry. Reps can also get you into very large chain stores, so know your limitations. If you hand-make your products like cards for example, & you know you can only make 100 whatevers a week, don’t take an order from Walmart  who may order 2,000 whatevers a week.



Since you are selling your work at wholesale prices, you’ll need to purchase your supplies on a wholesale basis to keep your costs down. Usually you sell your items wholesale for about half of what you sell them retail for. So if you make cards that retail for $4.00 ea, you want to sell them to buyers, in bulk, for $2.00 each.  Jewelry is often “triple keyed” which mans the buyer will be re-selling it for 3X (or more) what they pay you. So no more little trips to the little “bead store” where they charge triple key for their beads and supplies. No more buying six packs of blank cards. You’ll need to get on line and do research on buying these things in BULK. You will save yourself  a lot of money and increase your profit margin. It seems a little overwhelming at first to spend a lot on the large quantity minimums, but you have to remember how much $$ you’re saving in the long-run. Split large orders with other artists. I’ll share with you many of the resources I found for card and print items, but I don’t know much about other kinds of supplies.

 ~ DISPLAY: Grand & Benedicts:; 503.232.1988

~ BLANK CARDS: Paper Plus: 835 E Burnside, Portland: 503.238.3607.

~ MATTBOARD, FRAMES, PRESENTATION supplies: Light Impressions:

~ CUSTOM CUT MATS (bulk only): Documounts: 3265 NW Yeon, Portland, OR 97210. 800.769.5639


~ BOXES (small, for jewelry or boxed cards): RICE Paper Box Co: (303) 825-8287

~ PLASTIC JACKETS FOR PRINTS & CARDS: or . Both of these companies carry a LOT more than the plastic jackets.


~ S.C.O.R.E.: A non-profit group of retired business professionals who volunteer their time and expertise in aiding small businesses to grow. They offer classes and mentoring on things like: Business Plans, Loans, Networking, etc: or 1-800-634-0245

~DIY LOUNGE: Offers inexpensive classes on things like “Photographing your craftwork”, “Write a business plan Painlessly”, and “Copyright Basics for Artists and Craftspeople”.



Looking For Artists

Posted in Uncategorized with tags , , , , , , , on September 8, 2008 by coleenmcintyre

My art co-op, Six Days is currently seeking new members.
We’re open to all kinds of art – but would especially LOVE to add some pottery into our eclectic mix. If you’re looking for a great venue to sell your art, or know someone that is please pass this along. For more info on how it works check out our website

My first Interview / Demo for Green Fabric!

Posted in 4515244, Art Demos with tags , , , , , , , , , , on September 7, 2008 by coleenmcintyre

My first interview / demo for Green Fabric:

Art Co-Ops – What are they all about?

Posted in Press Releases with tags , , , , , , , , , , , , on September 3, 2008 by coleenmcintyre

PRESS RELEASE: 9/2/08 Art Co-ops are emerging as an alternative for artists to sell.

Art cooperative galleries are emerging as an expanded way for artists to sell their art. Most co-ops are based on artist participation and ownership of their gallery space, allowing them to show year round, versus the traditional month long show. A cooperative environment also provides resources, promotional ideas, and education, as it’s members share their knowledge and pool ideas.

Six Days Cooperative Gallery (at 2724 Alberta St. in Portland) takes it a step further, by nurturing young artists. The more experienced artists take their time and knowledge to help educate about displaying, selling and even expanding their artistic line to provide more sales. They have several young artists that are new to selling their work, but have started to have a following, due to exposure at co-op events.

Christin McNair is one of those artists. Her handcrafted metal work recently received an invitation to be displayed on the Oregon stage at the Portland Bite. During a Last Thursday event , an artist’s rep was walking by her dynamic art (which involves fire) and invited her to help with SUCH AND SUCH  bands’ fire display at the BITE. The success of that show led to the band now traveling with one of her pieces touring the Pacific Northwest.

“Six Days doesn’t want to be a traditional gallery”, says Coleen McIntyre, a three-year board member. “We pride ourselves in being what the traditional gallery stereotype is not, and value the freshness of up and coming artists, who sometimes don’t even know where to start. We take them in, show ‘em a few ropes, and as a group we are figuring it out together, while sharing skills and information. We have a strong sense of family and community here.”

Co-ops have a variety of structures, fees, and time obligations. Some are tailored to just one type of discipline,  the most common case is a co-op structured around members whose talents bridge many disciplines. Most have Board of directors, and member committees specializing in different areas of operation, from marketing to displays. These committees can be another avenue for young artists to learn different aspects of selling their art.

During their openings and Last Thursday events, Six Days enjoys combining their art with entertainment. On Saturday, September 28th, Six Days will be having a Pirate show and costume party called “Six Days at Sea”. Four of Six Days Artisans are participating.  Included will be: Terry Fay’s authentic Pirate wear, vibrant acrylic paintings by Dan Alm, Kat Paw’s Designs of finely crafted jewelry, and Christin McNair’s unique metal work. There will be a prize for best dressed pirate, opportunities to play one’s luck on a spinning wheel, and plenty of grog to imbibe. Co-op members will also be fully dressed in pirate attire, and speaking their best pirate-speak during the show.

If you would like more information about Six Days Art Co-Op, contact Terri Fay at or call 971- 409-4971.
Please visit  HYPERLINK “” to learn more about us. Six Days is currently seeking members.

In the works…

Posted in Uncategorized on September 2, 2008 by coleenmcintyre

I’m going to attempt this blogging thing because I think the way Green Fabric ties the individual’s blog into each local (artist/ maker of cool things) ‘s page is a really great thing. And I suppose I should take advantage of this really cool thing to let my clients, fans, or admirers know what I’m up to.

Well, Here I am, taking a break from a painting, or a “deed” of sorts really – a commissioned piece I’m doing for a woman who purchased a 10′ x 10’ piece of land in Scotland, in order to earn the official land ownership title of Lady. It is a very tedious piece involving lots of Celtic knots. It’s obsessively fun!

When I finish this piece I plan on doing one more painting in my Spirit Bug series. The winner of the 10th portrait is the dreaded weevil. Yep. The cutest little destructive bug ever. He’s all mine…